Search: Starring Christopher Eccleston

What the film achieves, better than any other rock music movie, is how unorganised and stupid so much of what went on behind the scenes was.

Garland needs to get back to the drawing board and look up the term 'character development' in his notes.

The script is weak, relying heavily on travelogue-style scenes of Earhart’s flights, passages from her diaries and newsreel footage and headlines.

It's important, when criticising some of the more clichéd elements here - the dark versus the light, the Tolkein parallels, the quests - to bear in mind that this film is aimed at older children, not your average jaded film critic.

It's well executed (a phrase I use unthinkingly) and did make me laugh, but not enough to allay my concerns.

Yes, it’s flawed and a bit daft at times, but for transforming a show that virtually nobody thought was worth bringing back into impressive Saturday night TV, Davies deserves all the back-patting he gets.

The performances walk up and touch you.

Cronenberg has created a dazzling star in the futuristic psycho-thriller firmament.

Gone In 60 Seconds provides you with all you need for a popcorn blockbuster.

It starts to become clear what happened here: there's a children's party game where everyone takes a turn writing a paragraph, and the next person only gets to see the last sentence.

The movie lives in dreamland and ends in nightmare.

The fast pacing allied to some dark humour and a few absurd moments certainly makes for entertaining viewing, even though over time you keep waiting for the film to hit some deeper note.

Christopher Ecclestone has rarely been better .

The less you see, the more you believe. Chilean born writer/director Alejandro Amenabar, who is still in his twenties, knows this.

The narrative is so out-of-focus and the characters so unrealistic one cannot figure out exactly what universe the film inhabits.

It is a feather in ITV's cap that it was prepared to invest in such a fascinating and thought-provoking script, while managing to keep cliche under wraps.

Truth be told, I wept buckets.

Danny Boyle directs with the right balance of tension and wit, never forgetting that violence begets violence as one thing leads to another.

Thor: The Dark World is nimble of step in the comedy department but as heavy as a hammer to the chest when it comes to exposition.